There is something about working with a dream that invites consciousness of place. The first time I met Ed Casey, in April of 2006, he mentioned how beautiful a place Ojai [California] is. “You should go there when you have time.” Ed is the author of many books about place:
Representing Place: Landscape Painting and Maps (University of Minnesota Press, 2002)
The Fate of Place: A Philosophical History (University of California Press, 1997)
Getting Back into Place: Toward a Renewed Understanding of the Place-World (Indiana University Press, 1993; second, expanded edition, 2009)
So when Ed tells you to go someplace, you go. Seven years and 30 trips to Southern California later, I went. And Ojai is a beautiful place.
I was fortunate enough to have a couple of classes with Ed on Phenomenology and Ecology between the time of his recommendation and the time of my visit, and I was not the same person in part because of the the result of his frame of reference. I got there just before sunset, and the depth of my appreciation for Ojai and for Ed would be the subject of another blog.
For now I am concerned with the setting in which we work a dream, and the view from Ojai might be just such a place. So might the comfort of one’s own study, office, or the outdoors. Just as in remembering a dream, the setting in which it occurs is so important, so it is when re0inviting the presence of the dream in waking consciousness. When working with the images of a dream, as suggested in the work of James Hillman, Steven Aizenstat, or Robert Johnson, paying attention to the surroundings might be a key element in our ability to invite the image to come alive.
Some qualities to consider when sitting with a dream:
- Quiet may be important, and limited interruption
- Absence of electronic image, foreground and back
- Access to art materials, clay, sand, or sketchbook
- An inviting setting for the Guest, free from distraction
- A flame, optional, representing the living image
- Something organic; a flower, a plant, light
So in my home, I have a place for me and a Guest, whether that Guest be a dream figure of someone working with a dream:
And in that space the chairs are almost at a right angle. The attention is not on me, but allows for the attention of one or more people to be on the place in the room where the image will come. The door through which she may walk; the shelf on which it may perch; the floor on which he may sit.
Office, too, has the same position of space; plenty of light; and invitation to doors and windows for the dream image to approach. There is also something in this that reminds me of the sign in Jung’s office, translating to the English, “Bidden or Unbidden, God is Present.” That’s a sound reminder that the Higher Power or the Pantheon is not a mere lackey to be conjured up: Always present is the Psyche. Always here is the Divine. Always at hand is the Image. What differs is not the quality of that Presence, but our [my] ability to be present and to connect with that image. So whether it is a solitary spot or a group setting, as below, thee is always room for more. Isolation may be the choice but solitude can get very crowded very quickly. And pictures herein do not do justice to the majesty of the settings in which very personal and very transpersonal work with the dream image can be done. If you are new to dreamwork and want to know how, this particular entry offers little help, except perhaps to point to those who know better. Those who know, better.
So I have Ed Casey on my mind as I am flying to Southern California tomorrow. And though it is somewhat out of my way, I am intending to drive the windy path to Ojai, and to worship at the Cathedral of Place recommended by Ed.